主演：Alexandre,Arquillière,Jackie,Monnier,恩里克·里贝罗,Diana,Hart,雅克·贝克
导演：让·雷诺阿,Jean,Renoir
简介：Claudie, a young French woman, inherits her uncle's property in Algeria, much to the disappointment of her scheming cousins Diane and Manuel. On the ferry she meets and falls for Pierre, an idle young man who has squandered his inheritance and is on his way to beg from Christian, his rich but rough-and-ready uncle, who owns a neighbouring farm to Claudie's. Made to work on the farm by Christian as a loan condition, Pierre is soon a changed man, and proposes to Claudie. But when his Arab friend Zoubir invites the Europeans on a hunting party, Diane and Manuel see their chance to move against their cousin.
主演：松田优作,藤谷美和子,小林薰,笠智众
导演：森田芳光
简介：20世纪初的日本，毕业于东京帝国大学的长井代助（松田优作 饰）家境优渥，全然不曾为金钱烦恼。他终日周游玩乐，过着悠闲自在的高等无业游民的生活。与之相对，和长井相交多年的好友平冈常次郎（小林薰 饰）生活拮据，妻子三千代（藤谷美和子 饰）孕期患上心脏病，未出生的孩子更不幸夭折。承受巨大压力的平冈破罐破摔，流连烟花场所。生计日益紧迫的同时，夫妻情分名存实亡。三千代是长井、平冈大学时代亡友菅沼（风间杜夫 饰）的妹妹，此去经年，始终未婚的长井依然对三千代持有深深的爱慕，他同情对方的境遇，但碍于道德的束缚只能将炽烈的情感深锁心底。深爱无缘，百千心结何处搁置……本片根据夏目漱石的同名原作改编。
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：方伟杰,蔡承峻,李光明,林圣宇,黄汉斌,吴国江,朱厚任,那广子,王朔,朱颜曼滋,陈传之
导演：郑斌辉
简介：少年篮球好手碰上高他一个头的对手。一个来自新加坡，一个来自中国。两人初次见面，八字不合，拼了命、一较高低；除了比身高比球艺之外，还有身份认同及社会归属感。少年之间，自然存在着竞争和互相排斥，但也从中培养深厚友谊。新加坡一位篮球界大腕，重金引进中国具备甲组球队水平、高素质的少年球苗，并安排所有球员接受为期两年的重点职业球员训练。他们立志要提高新加坡篮球水准，为篮球界注入新动力，希望能栽培出“下一个姚明”。一支新苗队，如何准备上场应战？适者生存的世界里，初生之犊怎么面对成年人的压力？ 不同背景、不同国籍的年轻人，经过三场激烈竞赛后，终于发现友情比战情和国情都更为可贵……本片改编自真人真事。
主演：周诺,马莹莹,洪杉杉,祝昕愿,毛方圆,骆应钧,郭政鸿,李雨阳,金一帆,朱宏博,黄伟国,梁枫,伊雪光,蔡夏颖,天明,曹国涛,刘璐
导演：邵白
简介：金陵大牢被江湖神秘杀手闯入，死者竟只是银矿上的一个矿工，六扇门受朝廷指令立即赶赴金陵大牢查探此案，本以为高手如云的六扇门会派出一等一的捕快前去侦破，不了迎来的却是四位初出茅庐的漂亮女捕快，四人虽年纪轻轻身为女子，却个个身怀绝技侠肝义胆。四人抽丝剥茧查到杀人案却和金陵银矿有所关联，恐怕有人中饱私囊被发现才杀人灭口，当查到最大帮派九龙也牵扯此事时，几人找到矿监陈增之，却不料和县令左衡之一样，惨遭毒手被人暗杀，带领四人的大师兄沐长风决定先回京上报，却在途中被人袭击身受重伤昏迷不醒，而此时，四人发现县令之子左靖的师父萧天南可能利用江湖关系和陈增之勾结私吞银矿并杀人灭口，在失去大师兄的庇护之下，四个女孩利用自己的独门本事层层抽丝剥茧，最终摆脱险境将萧天南擒住，并且帮助朝廷追回失踪的银矿。
主演：Karam,Taher,阿什拉夫·巴姆,阿里·苏莱曼,Tala,Gammoh,Sameera,Asir,Majd,Eid,Firas,Taybeh,Samuel,Kaczorowski,Sultan,Alkhail,Batoul,Ibrahim,Leanne,Katkhuda,Mostafa,Baker,Salma,Fakhoury,Sief,Ghanem,Hind,Hamed,Qais,Harb,Nael,Kanj,Asem,Khazali,Hamzeh,Mufleh,Joseph,Shamoun
导演：Darin,J.,Sallam
简介：FARHA tells the story of a young Palestinian girl whose dream changes from seeking education in the city to survival in Palestine 1948.
主演：孙红雷,周冬雨,董子健,王栎鑫,柳希龙,李佳奇,王紫璇,赵立新,王森
导演：肖洋
简介：1998年，来自西安交大的“少年班”导师周知庸（孙红雷 饰），前往全国各处寻找智商超群的天才少年，最终被选出的22个少年将被赋予艰巨的使命。少年吴未（董子健 饰）就是其中的一员，在这个特殊的班级里，他先后认识了有暴力倾向的麦克（王栎鑫 饰）、小天才方厚正（李佳奇 饰）、“神棍”王大法（柳希龙 饰），以及聪明却冷若冰霜的周兰（周冬雨 饰），五位天才少年从此开始了早于同龄人的大学生活，同时还面对着青春期的各种“疑难杂症”。女神江依琳（夏天 饰）的出现扰乱了男生们的心，攻克“世界数学大赛”的压力也从天而降，而导师周知庸也面对着人生中的最大难题，“少年班”该何去何从？天才少年人生的征途才刚刚开始……
主演：菲鲁兹·蓝,内田雄马,和气杏未,八代拓,石谷春贵,天崎滉平,日高里菜
导演：山冈实
简介：我转生成了RPG类型女性向游戏中的反派千金尤蜜拉。虽然尤蜜拉在故事主篇中不怎么样，不过却是在破关后会以隐藏头目身分再度登场，成为不逊于女主角（勇者）队伍最终能力的劲敌──也就是拥有非常强的能力！不小心燃起身为游戏玩家的斗志，努力锻鍊之后，导致我的等级在进入学园就读时就已经达到了99级。本来还希望能够不跟游戏主线扯上关系，尽量避免引人注目，过着平稳的生活，没想到等级在刚入学时就曝了光，遭到女主角、攻略对象等人怀疑是魔王……！？
主演：柯达,蒋毓玮,庞勇,曹天恺
导演：王冠迪
简介：王牌赛车手沈腾飞骄傲自大，因为车祸意外跌落山崖，坠入了全记送货的货箱，来到了一个货运发达的风光小镇。小镇上流传着车神驾驭五菱，山道漂移的传说。阿飞因为撞击丢失了记忆，还砸烂了“货运达人”全叔一车昂贵的有机蔬菜，被迫留在全记打工。于此同时，全叔的女儿阿梅被迫要用一部破旧的五菱之光和同行劲敌阿炳比拼送货，阿飞为了帮阿梅赢得比赛，赛车天赋马力全开，失忆车手化身小镇车神，五菱漂移再现民间。
主演：文熙,刘奕宏
导演：樊春雷
简介：安小龙一个人来到一座大城市寻找自己的师兄，可惜中途丢失了钱包，身无分文的他到处寻找工作，机缘巧合之下，他来到山庄当起了服务员并认识了梦琪，可惜安小龙在服务部受山庄的保安队长陷害，安小龙大受刺激离开了山庄。 后来安小龙偶遇一位导演 ，安小龙的武功让导演看中，导演派助理张影帝跟着安小龙，导演给张影帝下命令，务必把安小龙给劝回来。 张影帝成了安小龙跟屁虫，安小龙去哪，张影帝去哪，结果他们闯入一个犯罪现场，并且很巧合的拿了犯罪团伙最重要的箱子。之后张影帝打开箱子才知道，对方在交易非法的古董，安小龙要报警，张影帝不让。说等拿到证据，人赃俱获再报警，安小龙同意了。 经过一番周折，安小龙发现幕后老板武哥竟然是自己的师兄，安小龙为了正义，把武哥打得节节败退，安小龙义正言辞的教训武哥，说当年一起练武，为了匡扶正义除暴安良的信念哪去了、最后，武哥被打醒了，他认识到了自己的错误，他觉得对不起师傅，后悔至极，然后自首了。 最后，安小龙和梦琪再次相遇，梦琪挽留安小龙，安小龙留在了大城市，梦琪想让安小龙继续教自己功夫，他们成了一对恋人。
主演：水谷丰,伊藤兰,吉冈龙辉,花田优里音,小栗旬,国村隼,岸部一德,早乙女太一
导演：降旗康男
简介：昭和初期的日本神户，平凡的街道居住着经营洋装成衣铺的妹尾一家四口。一家之主盛夫（水谷丰 饰）和善可亲，思想开化；信奉基督教的主妇敏子（伊藤兰 饰）心灵手巧，操持家中的一切。长子肇（吉冈龙辉 饰）穿上了母亲编织的带有英文字母的毛衣，被朋友们称为少年H，妹妹好子（花田优里音 饰）机灵顽皮，讨人喜欢。经常与外国人接触，让妹尾一家待人接物上多了一份宽容。然而随着国际局势的日趋紧张，日本普通人的生活也受到极大的影响。有的人被当作思想犯逮捕，有的因逃避兵役自绝。二战局势愈演愈烈，少年H用错愕的双眼注视着这个飞速巨变的残酷世界……本片根据舞台设计大师妹尾河童的同名自传体小说改编。
主演：刘亚仁,金允石,金相浩
导演：李翰
简介：十七岁的少年菀得（刘亚仁 饰）本应该是在最无忧无虑的年华里度过。可是实际情况里，菀得的生活只有黑暗没有光明。爸爸是身材矮小的残疾人、妈妈是到十七岁才谋面的菲律宾劳工，自己得靠着领救济品才能生活的下去。这样的菀得，周围没有朋友、没有关爱，只有靠自己的拳头解决一切。身边唯一一个不按常理出牌的就是他的班主任兼邻居东洙（金允石 饰），东洙啰嗦赛唐僧，起初不堪其烦的菀得把他视为自己的头号敌人。但随着一些事情的展开，他渐渐感受到来自己东洙的关爱，开始换一种方式看世界，看周围的亲人，于黑暗中拾取了希望和动力，梦想也不再是那般遥不可及。本片获得多项奖项提名。
主演：刘家辉,罗烈,刘家荣,徐少强,张午郎,唐伟成,吴杭生,汪禹,矮冬瓜,陈会毅,陈龙,詹森,陈思佳
导演：刘家良
简介：清朝时，广州一地的反清复明义士积极与台湾郑成功一脉联络，以图驱逐异族。义士段将军与何老师等人为了营救反清同志，先后被广州将军天达镇压，何老师的学生刘裕德（刘家辉 饰）因积极参与反清，举家被天达手下鹰犬唐三要所害，刘裕德孤身逃脱，历尽艰苦抵达少林寺，希望能够习得少林功夫，救助苦难百姓，兼报家仇。其时少林寺设有三十五房，其中三十四房分别锻炼体力或拳脚兵器，法号三德的刘裕德天资过人，历经五年苦学，遍通三十四房，学成之际，刘裕德向方丈提出开设少林第三十六房，旨在接纳俗家弟子，传播少林武学。刘裕德离乡七年后重返广州，收洪熙官、陆阿采等青年为徒，与清廷鹰犬展开了连番激战……本片获1978年亚洲影展最佳动作效果奖。
主演：孙尧东,高歌,王睿祥,王乐天,史旭杰,辛媛,马浩伦,杨琨,韩超
导演：钱国栋
简介：《正义红师》是由中国人民解放军八一电影制片厂和深圳市方块动漫画文化发展有限公司联合出品的二维加三维高水准动画。这部国内首部以科幻军事题材为背景的动画片，主要讲述中国军人在遇到来自外星未知威胁时，使用高新科技武器排除万难、浴血奋战、保卫家园的热血励志故事。
主演：李淼,余培喧,周泳汐,肖凯飞,张鸣雪
导演：晓寒,毛启超,巴云风,章兵,中村隆太郎
简介：该片改编自近代科幻小说之父、法国著名小说家儒勒.凡尔纳的世界名著《十五少年漂流记》。故事讲述了海洋公园的15名少年偷偷地搭乘“月亮号”探险潜水艇，然后展开的探索冒险旅程，在水下探险结束返程的路上，15名少年被卷入黑洞中，后又遇到暴风雨的袭击，与另一艘海盗船发生冲突，并一同被风暴带到了一座无人的孤岛。喵星少年们为了在无人岛上生存下去并等待救援，想方设法寻找食物、搭建小屋、战胜各类野兽，凭借着坚韧的毅力和超人的智慧，勇敢的少年们不仅克服了恶劣的自然环境，还机智地与海盗们周旋、战斗。最终，他们英勇地歼灭了海盗们，顺利地回到家乡。
主演：沈达威,龟仙人,冯骏骅,王梓,杨鸥,赵路,醋醋,夏磊,谢添天
导演：于彬
简介：《太乙仙魔录之灵飞纪》是一部原味仙侠题材的连载动画，而作为国内首部原创仙侠动漫，其第一季播出全网点击量截至目前已达3.5亿。《灵飞纪》主要以明朝历史为背景，并以玄幻角色设定为依托，来讲述明朝时期，修仙玄门“青城派”女弟子冷霜凝为破修仙桎梏而下山入世的故事。在冷霜凝解开自身宿命疑团的过程中，与微服私访的建文帝朱允炆相遇相知。适逢燕王谋逆、国难当头，两位主角生死与共，一同谱写了一曲动人心魄的传奇。第二季的内容还是紧密承接上一季的剧情，但同时又有质的升级。《太乙仙魔录之灵飞纪》作为一部原创仙侠动漫，第一季里较多的涉及江湖庙堂，从江湖浩劫到皇室纷争，各路人马应接不暇。如果说第一季是落在一个“侠”字上，那第二季应该是逐渐落在一个“仙”字上的过程。可以说，第二季正式拉开了整个主角团修仙的帷幕，算得上是承上启下之作。随着剧情的进一步展开，第二季的主角团之间的感...
主演：李敏妍,孙晔
导演：李金滨
简介：医者行于天地，可选前途有二：一者精研学问，著书立传，以供后世瞻仰讲学；二者泽被苍生，救死扶伤，妙手留存万千性命。前者安，后者危。前者从医道，后者尽医心。究竟是安于一隅，以求医道传世，还是奋不顾身，加入时代浪涌？她的心，究竟指向何处？
主演：毛孩,李倩,刘蓓,范伟,李诺诺,齐溪,喻恩泰,孙茜
导演：刘雨霖
简介：牛爱国（毛孩饰演）是县城里的鞋匠，他姐叫牛爱香（刘蓓饰演）。牛爱国要离婚，牛爱香想结婚。牛爱香年轻时谈恋爱受到伤害，直到快40岁才为了找一个能说话的人，和能说会道的厨师宋解放（范伟饰演）结婚，可是婚后却发现俩人也没话说。弟弟牛爱国因为“说得着”和庞丽娜（李倩饰演）结婚，然而经历了10年婚姻后，他们彻底没话说了。牛爱国继而发现老婆出轨婚纱店的蒋老板（喻恩泰饰演），他上演了一系列追踪、捉奸、拖着不离婚的戏码，内心经历了愤怒、冷静到释然的激烈过程。当牛爱国面临崩溃的时候，其他人压根不在意他，甚至是他最亲的战友和姐姐都无法对他的绝望和耻辱感同身受，只是劝他忍了。最后，牛爱国在偶遇的老同学章楚红（孙茜饰演）那里听来一句话：“过日子是过以后，不是过以前。”他仿佛一下子看到了生活的出路。
主演：伊娃·格林,科林·法瑞尔,迈克尔·基顿,妮可·帕克,芬利·霍宾斯,丹尼·德维托,艾伦·阿金,卡米尔·雷米泽斯基,约瑟夫·盖特,桑迪·马丁,乔·奥斯蒙德,莎朗·鲁妮,拉斯·艾丁格,罗珊·塞斯,道比·欧帕瑞,迈克尔·巴佛,杰茜·维宁,伯纳多·桑托斯,贝恩·科拉科,文森特·阿德里安,菲利普·罗施,露西·德维托,拉普洛斯·卡伦福佐斯,阿梅吉特·德尤,史蒂芬·萨姆森,埃里克·海登
导演：蒂姆·波顿
简介：有一只小象，因为耳朵特别的大而遭到了嫌弃。过气的马戏团明星霍尔特（科林·法瑞尔 Colin Farrell 饰）带着一双儿女米莉（妮可·帕克 Nico Parker 饰）、乔（芬利·霍宾斯 Finley Hobbins 饰），成为了小象的照顾者，他们非常喜欢小象，给它取名小飞象。
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